High neck tops

High neck top_01aHigh neck top_01b Sometimes you see a new trend and first you don’t really like it, but then you see it all the time and slowly it starts growing on you. I had this experience with the high-neck cut-away-shoulders neckline. I thought it looked to sporty, but the more I kept seeing it on other people, the more I liked it. I still wasn’t sure if it would suit me, but the beauty of sewing is that it allows you to easily try out new trends and explore new shapes and silhouettes.

High neck top_02High neck top_03High neck top_04High neck top_05High neck top_06This first top was inspired by the Tessuti Annie dress. When it came out, I immediately dismissed it, as not being my style. But when I saw so many beautiful versions cropping up online (e.g. here, here and here) I started to like the style more and more. Not knowing if I would like the look on myself, I didn’t want to spend a lot of money on a new pattern, so I looked through my stash and found a dress with a similar neckline in the Belgian Veritas magazine that I had picked up in Brussels. I decided to make a top so that in case it went wrong, not too much fabric would be wasted. I combined the top of the dress with a simple gathered panel sitting under the bust (another silouhette I never tried before). I used a navy blue and white windowpane mystery fabric (possibly a mixture of linen and polyester) that I picked up for cheap and had already used for another experiment trying out this neckline. That first try somehow went horribly wrong, an unflattering shape and stretched out armholes, and has already left my closet. So I knew the fabric wasn’t the best but I wanted to make the shape and the fabric work. I had been on the lookout for a cool windowpane print for a while now. I was really happy when I found this, even though after by boyfriend mentioned it, I can’t unsee how much it looks like a tea towel. Oh well…

The pattern in theory would have been super easy. The body is self lined, two darts, two straps, some gathering and that’s it. Shouldn’t be too hard right? Well, it was hard… unexpectedly hard and I nearly gave up. I just didn’t feel the fabric and the shape while I was working on it. So what went wrong? When I first tried it on, the straps at the neck were way too close together and angled outwards to fit around my neck (they still do a little bit). Lazy as I am, I then decided to just take off a piece of the top part, forgetting that I still had to move out the straps, then the arm cycle was gaping and on top of all, the top bit was too small. I’m not sure what went wrong, I thought I had chosen a bigger size to account for leaving off the zipper, but still it was way too small. I let out the seam allowance as much as possible, but still can only get it over my had with a wiggle dance. I really had to force myself to not throw it all in a corner, so by the time I attached the gathered panel, I just didn’t have the patience anymore for even gathers, and just did a quick and dirty job.

So what about the end result? I have to say, that I do like the neckline, and could see myself making maybe a casual dress with it. I am not sure about the gathers under the bust though. It could look quite cute, but I always feel like I’m pregnant when I wear something like this. Due to the many changes that I made to the pattern, the sewing itself is not the neatest, and there is some weird pulling where the facing and the shell are not exactly the same size. All in all, I think this experiment fulfilled it’s purpose of helping me figure out how flattering such a neckline would be on me. It’s also wearable, and looks especially good under a loose blazer, that tames the gathers a little bit. Next time, though, I might invest in a good pattern, to avoid having to fight so much to get the fit right.

High neck top_07High neck top_08High neck top_09The next top I made a couple of months later. Originally I had bought this blue lyocell  to make some summery loose trousers. Then I found a pair of navy linen trousers at the charity shop, and this gap in my wardrobe was suddenly filled. I then decided to make a top from this gorgeous material (I decided I should only live in lyocell and linen from now on). For a pattern I chose a top from the nähtrends magazine, the German version of the Spanish Patrones. The top has a cute bias bound neckline and a keyhole detail in the back. It’s designed for two layers of sheer fabric, but as the lyocell is not see-through, I omitted the second layer. I had to change some steps of the construction to do that, but it wasn’t too difficult to figure out. I serged the seams and finished the neckline by hand to give it a clean finish. The keyhole is closed with a copper button and a simple thread chain (finally learned how to do that). In terms of fit, the only change I had to make was to take in the side seams by 3cm! on each side. There was some serious side boob action going on. Still the armhole is relatively low and some of the bra shows, but I don’t mind it too much. Maybe I should use that as an excuse to sew a new cute bra.

Overall, I love how this top turned out. The neckline looks cute and it’s so lovely to wear thanks to the trapeze cut and the floaty fabric. I especially love the inserts at the armholes. It’s such a nice design detail, and the folded-over fabric gives the garment such a beautiful finish. If I sew this again, I would shorten the shoulder straps a little bit as the key hole is not held up properly. I also would raise the armhole slightly, just to make it more modest. Nevertheless, I already have gotten a lot of wear out of it, especially last week when I spent some summery days in Germany.

So what’s the conclusion from this experiment with raised necklines? I decided that I definitely like this neckline on me. I think it’s very flattering on a small chested person like me. I’m already dreaming up a short jumpsuit with a gathered high neck. Let’s see if I will manage to fit that into my sewing plan for this summer. If not, let’s just hope it’s still on trend next season.

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Embroidered bed linen

Embroidery_1While sewing is my favourite pastime, I love all types of crafting. So when my friends were thinking about how to personalise some bed linen as a wedding present I jumped at the chance to try my hand at some embroidery. While I’ve done embroidery occasionally (my last project, my brother’s birthday shirt) I never tackled a big embroidery project. So this was the perfect opportunity. I knew I wanted to keep it relatively traditional, to give it a trousseau feel.

While brainstorming with a friend, we realised that the initials of the bride and groom (a C and a G) could be combined in a symbol of two intertwined wedding rings together with the family name and the date of the wedding. Around this symbol I wanted to cross-stitch a flower heart. After some searching on Pinterest I settled on a pattern of a heart of different coloured flowers, which I found here (this blog has a lot of gorgeous patterns). To stabilise the fabric, I ironed on some light weight interfacing to the back . I transferred the pattern to some millimetre paper and decided to just keep it on top and stitch through it. This worked well and was actually really fun. I loved seeing the colours come together. The only issue was that the oversized bed linen was a lot of fabric to handle. Also it was white and I was afraid to get it dirty. As the embroidery was at the open end of the duvet cover, it was easy to access and I decided to put the rest of the cover in a fabric tote to keep it clean and out of the way.  Once I was done I tied all the ends (the back looked pretty messy with all the different colours) and carefully removed the paper with some tweezers. This was quite tricky at times, because I had printed the millimetre grid on some normal printer paper, which was probably to thick for the purpose, but it worked out alright.

Embroidery_2Embroidery_3Embroidery_4Embroidery_5For the two pillow cases I went with the initials again in a simple cross-stitch pattern. I found one where the G and the C were both based on the same base shape. The whole alphabet is available here. I omitted the squiggles (is that actually a word?) and embroidered them the same way as I had the flower heart.

Embroidery_6Finally I moved on to the trickiest bit, the wedding ring logo. I wanted it to look neat, and clearly to read. This time I decided to transfer the shape with a washable trick marker directly onto the fabric. With a thinner blue embroidery thread and enough patience I filled in the shape. When I was done I erased the markings the best I could with some water. For some reason the blue colour always reappeared in a different place again. I could probably have avoided that by putting the linen in the wash but I really didn’t want to wash, dry and iron the thing.

Embroidery_7I love how it all turned out. I probably spent around 10 hours on it, but I didn’t mind doing it at all (finally a perfect excuse to binge-watch Velvet). I like how meditative the repetitiveness of embroidery is. And it sure does give a plain set of bed linen a lovely personal touch. I’m already scheming what I could embroider next. Maybe some bold florals on a summer top?

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Tea House Dress

I am so excited to show you this one! Sometimes a pattern and a fabric just click and result in the perfect garment.

Tea Room Dress_01Apologies for the weird colours and facial expressions in these photos. The British weather for the last week decided to stay as grim as the mood around here after the EU referendum. Very weird times to be living in the UK right now. Nevertheless I wanted to get this blogged, something colourful and joyful. For some reason I had this vision of shooting this in a jungle (I seem to be too strongly influenced by the cool Australian bloggers out there). An actual jungle is quite hard to come by here in the UK, but just around the corner we have some green wilderness which had to do. I even had to wade through stinging nettles and thistles to get there, that’s how determined I was to get my jungle shot. I quite like how the pictures turned out. Not as exotic as a real jungle but still  a nice scenery.

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Tea Room Dress_02Let’s start with the fabric. When I first saw this nani IRO double gauze fabric from a few seasons back (available in another colourway here), I completely fell in love. The pattern and the colours just spoke to me. I don’t wear a lot of bold patterns though and was not exactly sure how it would fit in my wardrobe, so I didn’t buy it immediately. But it haunted me, and over Christmas, with a push from my mother, I finally decided to place an order for some Japanese fabrics from Miss Matatabi. With several weddings coming up, I knew I had the perfect occasions to wear this print.

I was super excited when the fabric arrived. It was as gorgeous as I hoped it to be. My original plan had been to make an Inari T-Dress from it, after seeing some lovely versions made from the same fabric. However, after an only mildly successful attempt at the Inari, I wanted to explore other options. One of the first things that I did when the fabric arrived, was to drape it over my dressform and I realised I needed to make something more drapey and feminine with it. I browsed Pinterest and looked through my pattern stash but nothing seemed to fit. I was already sketching some designs to develop my own pattern, when I saw the announcement for the Tea House Dress by Sew House Seven. Again I fell in love and knew immediately that it would be the perfect dress pattern for my nani IRO, which was still patiently sitting in my stash . So I immediately snatched the pattern up and got to work. The main challenge here was to squeeze the dress out of the fabric that I had. Even though I had bought 3 m of the fabric, the fabric width of only 106 cm meant that I barely could fit my pattern pieces on the fabric. I wanted to have a hem length somewhere between view B and E to have it at knee-length. I thus cut view B in size 6 for the top, grading out to  size 10 at the hips, using the hem length of size 20. It just about fit, leaving no room; however, for pattern matching. With the print being very irregular, this doesn’t really matter though.

I made version B with the sashes caught in the front facing. The construction was super straight forward and quick (I love dresses that don’t need fastenings!). The instructions are very thorough and clear and the pattern is drafted well to ensure a professional finish. The neckline is finished with a facing which I stitched down by hand to give it a clean look. The hem is just finished with a double fold.

The only thing that I would change construction-wise is to clip the neckline facing in more places next time before folding it in. The instructions tell you to clip at the V and once each side, which in my case resulted in a slightly distorted V-line.

In terms of design, the only change (other than lengthening the hem) was to even out the hem. The pattern pieces and the photos of the finished garment suggest that the front hem is supposed to be slightly shorter than the back hem. I decided to hem it all at the same length which meant shaving off some fabric at the back hem.

Tea Room Dress_04Tea Room Dress_05Tea Room Dress_06Tea Room Dress_07Tea Room Dress_08Overall I am very happy with the final garment. The fit of the top is spot-on. The neckline has a lovely shape and I love the sleeves (which give it a slightly Japanese vibe). Around the hips, I might add a little bit more ease next time. The double gauze gives the skirt some structure and makes it look more A-line than in the product photos, emphasised by the triangular front piece. In the belly area there is a little bit of fabric pooling, which makes me look slightly pregnant, but as I am planing to wear the tie in the front, it’s covered up anyway.

My favourite details of the dress are of course the pockets and the sashes. The pockets are huge and quite prominent as they stick out a little when the sash is tied. I do love them as a feature and they will come in particularly handy for the upcoming weddings. I always struggle to find a purse that goes well with my dresses and as much as I love clutches, they are not very practical. The sashes help to make the dress look very feminine and I love how the cinched-in waist gives the back some blouseiness, which looks rather cool.

Tea Room Dress_09You can see, I am really happy with this dress. Let the wedding season commence!Tea Room Dress_10

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